"28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 5 (Recomposed by Luca Astolfoni Fossi)" by Johann Joachim Quantz, Claudio Ferrarini was released on August 11, 2023. With 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 5 (Recomposed by Luca Astolfoni Fossi) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Joachim Quantz, Claudio Ferrarini's "Johann Joachim Quantz Recomposed by Luca Astolfoni Fossi: 28 Variazions on Aria “ I Was Sleeping, and Then I Dreamed” for Solo Flute" album is number 6 out of 30. On top of that, Italy appears to be the country where this track was created. 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 5 (Recomposed by Luca Astolfoni Fossi) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 5 (Recomposed by Luca Astolfoni Fossi) by Johann Joachim Quantz, Claudio Ferrarini to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigmatic | Sounds From Heaven | A Minor | 0 | 8A | 59 BPM | ||
Flute Sonata No. 273 in G Major: III. Vivace | Johann Joachim Quantz, Rachel Brown, Mark Caudle, James Johnstone | F♯ Major | 1 | 2B | 95 BPM | ||
Mesmer | Paul Michael Meredith | A Minor | 1 | 8A | 56 BPM | ||
Ciacona in sol maggiore con 40 variazioni: Variazioni No. 12 - 14 (Arr. by Luca Astolfoni Fossi) - 435 Hz | Gottlieb Muffat, Claudio Ferrarini | C Major | 1 | 8B | 90 BPM | ||
6 Flute Sonatas: III. Sonata in sol maggiore: III. Rondò, allegro | Giuseppe Sarti, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 72 BPM | ||
Sonata No. 8 in F Major: III. Largo | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Flute Sonata No. 2 in C Major: III. Minuetto | Giuseppe Sarti, Sokol Koka, Christine Meyr, Claudio Ferrarini | C Major | 1 | 8B | 112 BPM | ||
Sonata No. 7 in C Major: V. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Flute Relaxing, Vol. 1 Nº3 | QU CHI | E♭ Minor | 0 | 2A | 69 BPM | ||
Tributes to Sherlock | Merlyn | F Major | 1 | 7B | 67 BPM |
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