Antonio Vivaldi, Angel Romero, Academy of St. Martin in the Fields, Iona Brown's '12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 2. Largo' came out on January 1, 1985. The duration of 12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 2. Largo is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 2. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Guitar Concertos by Antonio Vivaldi, Los Romeros, Academy of St. Martin in the Fields, Iona Brown. The song's track number on the album is #8 out of 15 tracks. 12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 2. Largo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 2. Largo by Antonio Vivaldi, Angel Romero, Academy of St. Martin in the Fields, Iona Brown has a tempo of 51 beats per a minute, the tempo markings of this song would be Lento (slowly). With 12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 2. Largo being at 51 BPM, the half-time would be 26 BPM with a double-time of 102 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Guitar Concerto in E minor, Op.140 "Petit Concerto de Société": 2. Largo | Ferdinando Carulli, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | G Major | 0 | 9B | 97 BPM | ||
Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | E♭ Major | 0 | 5B | 81 BPM | ||
Mallorca (Barcarola), Op. 202 | Isaac Albéniz, Xavier De Maistre | F Minor | 1 | 4A | 124 BPM | ||
Spohr : Sonata for Cello & Harp in G major Op.115 : II Larghetto | Louis Spohr, Helga & Klaus Storck | E Major | 1 | 12B | 116 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM |
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