Pierre Certon, Ensemble Gilles Binchois made "Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542")" available on February 7, 2005. The duration of Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542") is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Songs of the Renaissance: France/Spain". In this album, this song's track order is #4. Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542") is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542") by Pierre Certon, Ensemble Gilles Binchois having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Fauré: Les Djinns, Op. 12 | Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova | A Minor | 0 | 8A | 65 BPM | ||
Sheppard: Media Vita - 1. Media Vita in Morte Sumus | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 65 BPM | ||
Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
ll est bel et bon, commere, mon mary: Il est bel et bon | Pierre Passereau, Scholars of London | C Minor | 3 | 5A | 135 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Triste départ | Nicolas Gombert, Amarcord | B Major | 1 | 1B | 87 BPM | ||
Il est bel et bon | Pierre Passereau, Amarcord | A Minor | 1 | 8A | 121 BPM |
Section: 0.5791964530944824
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