Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra made "La Alegria de la Huerta (Coro de Beatas)" available on July 18, 2014. With La Alegria de la Huerta (Coro de Beatas) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zarzuelas y Coros by Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra. The song's track number on the album is #10 out of 20 tracks. The popularity of La Alegria de la Huerta (Coro de Beatas) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since La Alegria de la Huerta (Coro de Beatas) by Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra has a tempo of 164 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La Alegria de la Huerta (Coro de Beatas) being at 164 BPM, the half-time would be 82 BPM with a double-time of 328 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Que son cinco días | Banda Municipal de Música de Soria | B♭ Major | 4 | 6B | 124 BPM | ||
El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
Amor Japonés | Lilian De Celis | E♭ Major | 6 | 5B | 121 BPM | ||
La palomica | Pastor De Andorra, Marcelino Plumed, Jotas Aragonesas | G Major | 4 | 9B | 83 BPM | ||
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
No Cortes Más Que una Rosa (Romanza de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | E Major | 6 | 12B | 154 BPM | ||
Toque De Cuadrillas | Banda De Genaro Nuñez | C Major | 7 | 8B | 123 BPM | ||
Los Nardos | Unidad de Música de la Guardia Real | F Minor | 3 | 4A | 80 BPM | ||
Fiel Espada Triunfadora | Orquesta Sinfónica Española | B Major | 1 | 1B | 120 BPM |
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