Mervyn Burtch, Eos Ensemble Cymru, Wendy Quinlan, Ruth Watson, Sara Temple, Mark Kane, Peter Morgan made "Wind Quintet: II. Molto lento e mesto" available on September 10, 2021. Wind Quintet: II. Molto lento e mesto is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Silver Apples of the Moon". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Wind Quintet: II. Molto lento e mesto is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Wind Quintet: II. Molto lento e mesto by Mervyn Burtch, Eos Ensemble Cymru, Wendy Quinlan, Ruth Watson, Sara Temple, Mark Kane, Peter Morgan having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Un Diablo Dormido: I Hells Bells | Per Egland, Christian Lindberg, ADDA Simfònica | E Major | 4 | 12B | 143 BPM | ||
Hyperlink: III. Vivat | Peter Graham, Black Dyke Band, Nicholas Childs | B♭ Major | 4 | 6B | 151 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
Piano Sonatina No. 5: I. Allegro con brio | Mervyn Burtch, Zoë Smith | C Major | 0 | 8B | 121 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM |
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