Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs's 'Circe: XXXI. Premier Air des Amants fortunés' came out on May 31, 2023. With Circe: XXXI. Premier Air des Amants fortunés being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 31 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XXXI. Premier Air des Amants fortunés is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Circe: XXXI. Premier Air des Amants fortunés by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Que dans le temple de mémoire | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus | Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer | A Major | 1 | 11B | 96 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Suscepit Israel | Claudio Monteverdi, Amarcord, Lautten Compagney Berlin, Wolfgang Katschner | A♭ Minor | 3 | 1A | 88 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Va, ché l'hai fatto a me | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Cum invocarem: Recitative: Et scitote (Haute-Contre) - Trio: Irascimini (Haute-Contre, Tenor, Baritone) | Henri Desmarets, Hanna Bayodi, Stephanie Revidat, Francois-Nicolas Geslot, Sebastien Droy, Benoit Arnould, Le Concert Spirituel, Herve Niquet | F Minor | 1 | 4A | 82 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Circe: IV. Prélude pour la Nymphe de la Seine | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Minor | 0 | 5A | 101 BPM |
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