On 2003, the song "Be Good Or Be Gone" was released by Chuck Willis. The duration of Be Good Or Be Gone is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Be Good Or Be Gone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "The Complete Okeh Recordings 1951-1956". In this album, this song's track order is #2. Be Good Or Be Gone is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Be Good Or Be Gone by Chuck Willis having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
She Felt Too Good | Jimmy McCracklin | C Major | 7 | 8B | 76 BPM | ||
450 Pound Woman | Floyd Dixon | C Major | 7 | 8B | 70 BPM | ||
Slow Walk | Bill Doggett | F Major | 6 | 7B | 101 BPM | ||
She Said Yeah | Larry Williams | F Major | 6 | 7B | 91 BPM | ||
Heading for the Poorhouse | The Silhouettes | C Major | 6 | 8B | 161 BPM | ||
Do Wa Diddi - Remastered 2022 | Frank Ballard, Phillip Reynolds Band | E Major | 9 | 12B | 145 BPM | ||
Talk To Me, Talk To Me | Little Willie John | G Minor | 6 | 6A | 112 BPM | ||
Lawdy Miss Clawdy | Larry Williams | B♭ Major | 5 | 6B | 98 BPM | ||
At My Front Door | The El Dorados | A♭ Major | 4 | 4B | 174 BPM | ||
Mama, He Treats Your Daughter Mean | Ruth Brown | C Major | 8 | 8B | 177 BPM |
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