John Barry, Royal Philharmonic Orchestra, Nicholas Raine's 'The Quiller Memorandum: Wednesday's Child (Arr. N. Raine for orchestra)' came out on September 24, 2013. The duration of The Quiller Memorandum: Wednesday's Child (Arr. N. Raine for orchestra) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Quiller Memorandum: Wednesday's Child (Arr. N. Raine for orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Barry, Royal Philharmonic Orchestra, Nicholas Raine's "Movie Legends: The Music of John Barry" album is number 13 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Quiller Memorandum: Wednesday's Child (Arr. N. Raine for orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Quiller Memorandum: Wednesday's Child (Arr. N. Raine for orchestra) by John Barry, Royal Philharmonic Orchestra, Nicholas Raine to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
End Credits - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
Saddest Part Of Day | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
Walking Through The Garden | Zbigniew Preisner | G Major | 1 | 9B | 70 BPM | ||
Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
The Marriage Proposal (Greensleeves) | Alfred Newman, MGM Studio Orchestra | E Minor | 2 | 9A | 69 BPM | ||
Tour Of Paris | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
Lost And Found | Michael Nyman | B Minor | 2 | 10A | 164 BPM | ||
If I Know A Song Of Africa (Karen's Theme III) - Out Of Africa/Soundtrack Version | John Barry | D Minor | 0 | 7A | 81 BPM |
Section: 0.5800595283508301
End: 0.5846576690673828