"Ecce sacerdos magnus, , WAB 13" by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones was released on December 31, 1994. Ecce sacerdos magnus, , WAB 13 is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 5 out of 15 in Bruckner: Motets by Anton Bruckner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Ecce sacerdos magnus, , WAB 13's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ecce sacerdos magnus, , WAB 13 by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 9 in D Minor, WAB 109 (Nowak Edition): II. Scherzo. Bewegt, lebhaft - Trio. Schnell | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | F♯ Minor | 1 | 11A | 97 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | F♯ Minor | 0 | 11A | 84 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
Te Deum laudamus | Antonín Dvořák, Ewa Biegas, Orfeón Pamplonés, Orquesta Sinfonica de Navarra, Antoni Wit | B♭ Minor | 0 | 3A | 79 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM |
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