London Music Works's 'We Are Gods' came out on April 21, 2023. The duration of We Are Gods is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. We Are Gods's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Epic Themes III by London Music Works. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, We Are Gods's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of We Are Gods by London Music Works is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Westminster Bridge - From “Spectre” Soundtrack | Thomas Newman | C Major | 6 | 8B | 122 BPM | ||
Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
Tennyson | Thomas Newman | B♭ Minor | 1 | 3A | 158 BPM | ||
Onwards! | Murray Gold | A Major | 5 | 11B | 200 BPM | ||
Bel Ami | Rachel Portman | F Major | 1 | 7B | 147 BPM | ||
Gothic Power | London Music Works | N/A | N/A | N/A | 0 BPM | ||
Guardians At the Gate | Audiomachine | F Minor | 7 | 4A | 138 BPM | ||
End Titles Part 1 - Letters from Iwo Jima | Kyle Eastwood and Michael Stevens | D Minor | 1 | 7A | 100 BPM | ||
Northern Lights | Jacob Shea | G Minor | 1 | 6A | 81 BPM | ||
To France, Of Course | Paul Haslinger | D♭ Major | 3 | 3B | 95 BPM |
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