Carl Philipp Emanuel Bach, Václav Kunt made "Sonata for Flute Violoncello in B Major, Wq. 126: II. Allegretto" available on January 1, 2009. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 15 in Carl Philip Bach: Sonatas for Flute Violoncello Wq. 83, 87, 124, 126 & 128 by Carl Philipp Emanuel Bach, Václav Kunt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sonata for Flute Violoncello in B Major, Wq. 126: II. Allegretto is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata for Flute Violoncello in B Major, Wq. 126: II. Allegretto by Carl Philipp Emanuel Bach, Václav Kunt is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Flute Violoncello in A MINor, Wq. 128: I. Andante | Carl Philipp Emanuel Bach, Václav Kunt | C Major | 1 | 8B | 96 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: III. Allegro | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Suite for String Orchestra, JW6 No. 2: III. Andante con Moto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | E Minor | 2 | 9A | 129 BPM | ||
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: I. Allegro di molto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 149 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
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