T.N. Rajarathnam Pillai made "Nravadhi Sugadha" available on January 1, 1951. The duration of Nravadhi Sugadha is about 3 minutes long, at 3:20. Based on our data, "Nravadhi Sugadha" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Music of India: Traditional & Classical" album is number 8 out of 9. The popularity of Nravadhi Sugadha is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Nravadhi Sugadha by T.N. Rajarathnam Pillai to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kaise Khelan Jaiho Saawam Mein | Dhanashree Pandit Rai | D♭ Major | 5 | 3B | 79 BPM | ||
Raga Darbari Kanhada - Ektala | Ajoy Chakrabarty | E♭ Minor | 3 | 2A | 135 BPM | ||
Garje Ghata Ghan - Raag Megh - Rashid Khan - Jhaptaal | Udtaad Rashid Khan, Traditional, Samar Saha, Murad Ali, Samir Jana | E Minor | 7 | 9A | 118 BPM | ||
Charukesi (Violin Solo) | Apoorva Krishna | A Major | 6 | 11B | 150 BPM | ||
Chinnachiru - Ragamalika - Adi (Thisra Gathi) | Rajhesh Vaidhya | G Major | 6 | 9B | 166 BPM | ||
Siddh Bhajo Omkar Avadho | Ashwini Bhide & Veena Sahasrabuddhe | B♭ Minor | 4 | 3A | 100 BPM | ||
Dwadasa Jyothirilinga Swarupaa | Parupalli Ranganath | F Major | 5 | 7B | 152 BPM | ||
Shankara Jeevan Varada | Rajan & Sajan Mishra & Shruti Sadolikar | D♭ Major | 5 | 3B | 158 BPM | ||
Sriganesa Thilang Adi | Tyagaraja, Kalaimamani Prabhavathi Ganesan | G Major | 7 | 9B | 194 BPM | ||
Kriti Vatapi Ganapatim | Seeta Doraiswamy | F♯ Major | 3 | 2B | 116 BPM |
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