"L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): I. Pastorale" by Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall was released on February 5, 1988. L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): I. Pastorale is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 17 out of 20 in Bizet: Carmen Suites Nos. 1 and 2 / L'Arlesienne Suites Nos. 1 and 2 by Georges Bizet, Slovak Philharmonic, Anthony Bramall. In terms of popularity, L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): I. Pastorale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): I. Pastorale by Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM | ||
Nachtveilchen (Polka Mazur), Op. 170 | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 113 BPM | ||
Bright day | Alejandro Llovet Abascal | C Major | 1 | 8B | 120 BPM | ||
My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
4 Irish Dances, Op. 126: No. 1. Allegro con energico | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | G Major | 3 | 9B | 137 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Sally in Our Alley (arr. for string orchestra) | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM |
Section: 0.6877763271331787
End: 0.6916899681091309