"Lacrimae antiquae" by John Dowland, Flanders Recorder Quartet was released on April 1, 2006. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Recorder Quartet: Early Italian Recorder Music & English Consort Music". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Lacrimae antiquae is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lacrimae antiquae by John Dowland, Flanders Recorder Quartet having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Libro de música de vihuela de mano intitulado "El Maestro": No. 4. Fantasia del quarto tono | Luis de Milán, Toyohiko Satoh | D♭ Minor | 0 | 12A | 70 BPM | ||
The Bear - Lute Only | Giulio Cesare Barbetta, Massimo Lonardi | C Minor | 0 | 5A | 56 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Three Feminine Portraits - La Mia Barbara | Hopkinson Smith, John Dowland | D Minor | 1 | 7A | 93 BPM | ||
Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Ciacona | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | F♯ Major | 1 | 2B | 123 BPM |
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