Frédéric Chopin, Géza Anda made "24 Préludes, Op. 28: No. 17 in A-Flat Major" available on January 1, 1998. The duration of 24 Préludes, Op. 28: No. 17 in A-Flat Major is about 3 minutes long, at 3:19. Based on our data, "24 Préludes, Op. 28: No. 17 in A-Flat Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 29 in Chopin: 24 Préludes; Sonata No.2 "Marche funèbre" by Frédéric Chopin, Géza Anda, Tamás Vásáry. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 24 Préludes, Op. 28: No. 17 in A-Flat Major is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 24 Préludes, Op. 28: No. 17 in A-Flat Major by Frédéric Chopin, Géza Anda is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Lyric Pieces, Op. 57: VI. Hjemveop - Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 131 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM |
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