"Vesperae solennes de confessore in C Major, K. 339: 5. Laudate Dominum omnes gentes - Live" by Wolfgang Amadeus Mozart, Rachel Harnisch, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir had its release date on January 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Karita Mattila, Sara Minguardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir's "Mozart: Requiem" album is number 16 out of 16. In terms of popularity, Vesperae solennes de confessore in C Major, K. 339: 5. Laudate Dominum omnes gentes - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vesperae solennes de confessore in C Major, K. 339: 5. Laudate Dominum omnes gentes - Live by Wolfgang Amadeus Mozart, Rachel Harnisch, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messiah / Part 2: "All they that see him...He trusted in God" | George Frideric Handel, Philip Langridge, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 124 BPM | ||
Musae Sioniae (extrait): In dulci jubilo - Noël à 3 voix | Michel Praetorius, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 168 BPM | ||
Sonata No. 3 in C Major for Trumpet, Violin & Basso continuo: I. Andante | Gottfried Finger, Ludwig Güttler, Leipziger Bach-Collegium | E♭ Major | 1 | 5B | 132 BPM | ||
Messiah, HWV 56, Pt. 2 Scene 7: No. 44, Hallelujah (Chorus) | George Frideric Handel, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | D Major | 4 | 10B | 112 BPM | ||
Concerto In G Minor R439 op.10 No.2 "La Notte": 1. Largo - Fantasmi. Presto | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 110 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12f, Divertissement. Mother Gigogne and the Clowns | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 3 | 11B | 77 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo I - Live | Pyotr Ilyich Tchaikovsky, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 0 | 3B | 109 BPM | ||
Exsultate, jubilate, K. 165: 4. Alleluia | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 128 BPM | ||
Stille Nacht, heilige Nacht | Franz Xaver Gruber, Brass Ensemble of the Berlin Philharmonic Orchestra | C Major | 0 | 8B | 71 BPM | ||
Weihnachtsoratorium: Die Sterblichkeit gebiert das Leben | Carl Heinrich Graun, Monika Mauch, L'arpa Festante, Thomas Gropper | F Major | 0 | 7B | 73 BPM |