"Cantique" by Giacomo Meyerbeer, Patricio Ramos-Pereira, Rheinische Kantorei, Christoph Lehmann, Hermann Max was released on September 23, 2016. Since Cantique is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giacomo Meyerbeer, Rheinische Kantorei, Hermann Max's "Meyerbeer: Hallelujah – The Choral Works" album is number 3 out of 13. In terms of popularity, Cantique is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantique by Giacomo Meyerbeer, Patricio Ramos-Pereira, Rheinische Kantorei, Christoph Lehmann, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert le diable, Act 3: "Voici donc les débris du monastère" (Bertram) | Giacomo Meyerbeer, Bryan Hymel, Martial Defontaine, Carmen Giannattasio, Patrizia Ciofi, Alastair Miles, Carlo Striuli, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | B Minor | 0 | 10A | 110 BPM | ||
Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 184 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act IV: Brahma ! Vishnou ! Shiva ! Gloire à vous ! | Giacomo Meyerbeer, Magnus Baldvinsson, Claudia Mahnke, Michael Spyres, Frankfurt Opera Chorus, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
Die Walküre, WWV 86B / Act I: Orchestervorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 127 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Robert le Diable, Act I: Sicilienne. Ô fortune ! à ton caprice | Giacomo Meyerbeer, John Osborn, Nicolas Courjal, Chœur de l'Opéra National de Bordeaux, Orchestre National Bordeaux Aquitaine, Marc Minkowski | A Major | 1 | 11B | 109 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | A♭ Major | 0 | 4B | 82 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Khovanshchina - Compl. & Orch. Rimsky-Korsakov: Prelude | Modest Mussorgsky, Orchestre de la Suisse Romande, Ernest Ansermet | F♯ Major | 1 | 2B | 177 BPM |
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