"After Soaking Two Years and Then Lying High Six Months It Was Perfectly Sound Through Waterlogged past Drying" by Shane Carruth was released on February 20, 2013. The duration of After Soaking Two Years and Then Lying High Six Months It Was Perfectly Sound Through Waterlogged past Drying is about 3 minutes long, at 3:17. Based on our data, "After Soaking Two Years and Then Lying High Six Months It Was Perfectly Sound Through Waterlogged past Drying" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Upstream Color (Original Motion Picture Score)". In this album, this song's track order is #11. After Soaking Two Years and Then Lying High Six Months It Was Perfectly Sound Through Waterlogged past Drying is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With After Soaking Two Years and Then Lying High Six Months It Was Perfectly Sound Through Waterlogged past Drying by Shane Carruth having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Six Million Dollar Sandwich | The Dead Texan | G Major | 1 | 9B | 143 BPM | ||
By the Wall | Tomáš Dvořák | B Minor | 2 | 10A | 60 BPM | ||
Letting Go | Atticus Ross, Leopold Ross, Claudia Sarne | G Minor | 1 | 6A | 120 BPM | ||
The Shooting | Nils Frahm | D♭ Major | 1 | 3B | 172 BPM | ||
It Speaks | Paul Haslinger | E Minor | 2 | 9A | 196 BPM | ||
To All It | Bing & Ruth | F Minor | 1 | 4A | 68 BPM | ||
64º08'43.3"N 21º55'38.8"W | Sigur Rós | F♯ Minor | 1 | 11A | 119 BPM | ||
Aftermath | Jed Palmer | D Major | 1 | 10B | 70 BPM | ||
It Worked for Awhile / Cam and Joe | Paul Haslinger | F Major | 0 | 7B | 125 BPM | ||
A Thousand-Yard Stare | Rafael Anton Irisarri | D♭ Major | 2 | 3B | 68 BPM |
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