"Ay ondas que eu uin veer" by Martin Codax, The Hilliard Ensemble was released on January 1, 2005. The duration of Ay ondas que eu uin veer is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Ay ondas que eu uin veer's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Hilliard Ensemble's "Medieval Music - Henry Viii / Dufay, G. / Codax, M. (Tranquil Medieval Music)" album is number 24 out of 24. Based on our statistics, Ay ondas que eu uin veer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ay ondas que eu uin veer by Martin Codax, The Hilliard Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Tenebrae Responsories - Matins Responsories for Good Friday: Nocturn II - Animam meam dilectam | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Pro Tetuu Kapraňovou | Pavel Jurkovič, Hana Blažíková, Martina Bernášková, Kateřina Ghannudi, Jan Krejča, Martin Rudovský | G Major | 0 | 9B | 68 BPM | ||
Con bracchi assai | Giovanni da Firenze, La Reverdie | A Minor | 1 | 8A | 105 BPM | ||
Heruvimska pesma glas drugi | Pavle Aksentijevic | F Major | 4 | 7B | 102 BPM | ||
Maria Pérez, a nossa cruzada | Anónimo, Manseliña | C Major | 0 | 8B | 87 BPM | ||
Bassadanza cupido | Guglielmo Ebreo da Pesaro, La Rossignol | G Minor | 0 | 6A | 91 BPM | ||
Dieus, de chanter / Chant d’oisiaus / (In seculum) | Anonymous (Montpellier Codex), Alkemie | A♭ Major | 1 | 4B | 142 BPM | ||
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM |
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