George Gershwin, Michael Tilson Thomas, Larry Kert, New York Choral Artists's 'Of Thee I Sing: A Kiss for Cinderella / Some Girls Can Bake a Pie (Reprise) / Of Thee I Sing (Reprise)' came out on 1976. Since Of Thee I Sing: A Kiss for Cinderella / Some Girls Can Bake a Pie (Reprise) / Of Thee I Sing (Reprise) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 11 out of 90. Of Thee I Sing: A Kiss for Cinderella / Some Girls Can Bake a Pie (Reprise) / Of Thee I Sing (Reprise) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Of Thee I Sing: A Kiss for Cinderella / Some Girls Can Bake a Pie (Reprise) / Of Thee I Sing (Reprise) by George Gershwin, Michael Tilson Thomas, Larry Kert, New York Choral Artists to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gitana | Fritz Kreisler, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 76 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major. Andante | Franz Schubert, Alfred Brendel | G Minor | 1 | 6A | 137 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
3 Preludes (arr. J. Heifetz): No. 1. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | C Minor | 3 | 5A | 102 BPM | ||
Someone To Watch Over Me | George Gershwin, Zubin Mehta, New York Philharmonic | A Major | 1 | 11B | 171 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Heliotrope Bouquet: A Slow Drag Two-Step | Scott Joplin, Alexander Peskanov | G Major | 1 | 9B | 132 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Someone to Watch over Me - FROM: Oh, Kay! - Arr. for piano solo | George Gershwin, André Previn | B♭ Major | 0 | 6B | 112 BPM |
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