"Triste ritorno" by Richard Barthelemy, Enrico Caruso was released on 1990. The duration of Triste ritorno is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Triste ritorno's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Triste ritorno is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Triste ritorno by Richard Barthelemy, Enrico Caruso is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adiós trigueña | Rafael Sanchez Cestero | A Major | 0 | 11B | 67 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Las Golondrinas: "Coro de la feria" | Coro del Gran Teatro Lírico de Bacelona, Coros y Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Che fia?... Suonar di giubilo" (Lucia, Enrico) | Gaetano Donizetti, Maria Callas, Orchestra del Maggio Musicale Fiorentino, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Donizetti: Roberto Devereux, Act 3: "A te diro negli ultimi" (Roberto) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM | ||
Maravilla: "Romanza de Manuela" | Angelita Durán | B♭ Major | 2 | 6B | 82 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Adriana Lecouvreur Act I, Scene 5: La dolcissima effigie | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
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