"Penalosa: Magnificat quarti toni, a 4" by Francisco de Peñalosa, The Hilliard Ensemble, Paul Hillier had its release date on 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Spain and the New World - Renaissance music from Aragon and Mexico". In this album, this song's track order is #3. Penalosa: Magnificat quarti toni, a 4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Penalosa: Magnificat quarti toni, a 4 by Francisco de Peñalosa, The Hilliard Ensemble, Paul Hillier having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rimanti in pace, SV 74 | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | G Major | 0 | 9B | 137 BPM | ||
Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
Nunc Dimittis | Josquin des Prez, Oxford Camerata | A Minor | 0 | 8A | 68 BPM | ||
Por las sierras de Madrid | Francisco de Peñalosa, Capella De La Torre | D Minor | 0 | 7A | 89 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Officium Defunctorum: Lectio secunda ad matutinum. Taedet animam meam | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 76 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM |