"Sonatina canonica sui Capricci di Paganini: III. Andante sostenuto" by Luigi Dallapiccola, Adalberto Maria Riva was released on January 15, 2015. With Sonatina canonica sui Capricci di Paganini: III. Andante sostenuto being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Pianoforte Italiano: Paradisi - Scarlatti - Golinelli - Fumagalli - Respighi - Malipiero - Pilati - Dallapiccola - Sonzogno". In this album, this song's track order is #16. Based on our statistics, Sonatina canonica sui Capricci di Paganini: III. Andante sostenuto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonatina canonica sui Capricci di Paganini: III. Andante sostenuto by Luigi Dallapiccola, Adalberto Maria Riva having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Melodies, Op. 35b: IV. Allegretto leggero e Scherzando | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 2 | 10B | 78 BPM | ||
Concerto for Piano and Orchestra - Live | Maya Badian, Winnipeg Symphony Orchestra | B♭ Minor | 4 | 3A | 127 BPM | ||
I. Sostenuto. Misurato. Prestissimo | György Ligeti, Claudia Janet Birkholz | D Major | 0 | 10B | 114 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Sonatina canonica after Paganini: III. Andante sostenuto | Luigi Dallapiccola, Roberto Prosseda | C Major | 0 | 8B | 75 BPM | ||
Dallapiccola: Liriche greche III, 6 Carmina Alcaei: No. 5 Mosso, ma non tanto. "Io già sento primavera" | Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, Julie Moffat | C Minor | 0 | 5A | 114 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Sonata for Piano 4 Hands, FP 8: II. Rustique | Francis Poulenc, Charles Owen, Katya Apekisheva | F♯ Major | 0 | 2B | 73 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Suite of Preludes: No. 1, Animato | Kazimierz Serocki, Miyako Arishima | D♭ Minor | 0 | 12A | 135 BPM |
Section: 0.7254810333251953
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