"Purcell: The Indian Queen, Z. 630, Act III: Trumpet Overture" by Henry Purcell, John Eliot Gardiner, English Baroque Soloists was released on 2008. The duration of Purcell: The Indian Queen, Z. 630, Act III: Trumpet Overture is about 3 minutes long, at 3:01. Based on our data, "Purcell: The Indian Queen, Z. 630, Act III: Trumpet Overture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "The Classical Guide to Purcell". In this album, this song's track order is #33. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell: The Indian Queen, Z. 630, Act III: Trumpet Overture is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Purcell: The Indian Queen, Z. 630, Act III: Trumpet Overture by Henry Purcell, John Eliot Gardiner, English Baroque Soloists having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: II. Largo | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM |
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