Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz made "L'Hirondelle inattendue: 10. Foin de sensiblerie" available on 2011. With L'Hirondelle inattendue: 10. Foin de sensiblerie being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Poland Abroad, Vol. 4 - Opera and Ballet". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, L'Hirondelle inattendue: 10. Foin de sensiblerie is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'Hirondelle inattendue: 10. Foin de sensiblerie by Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo in C Minor for Violin & Piano (from the FAE-Sonata) | Johannes Brahms, KIM NAYOUNG | E Major | 2 | 12B | 119 BPM | ||
Barcarolle in F-Sharp Major, Op. 60 | Frédéric Chopin, Miyako Arishima | D♭ Major | 1 | 3B | 73 BPM | ||
Pour le Piano, L. 59: III. Toccata | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Libertango - piano four hands | Ad Parnassum Piano Duo, Astor Piazzolla arr. Biagio Lo Cascio | A Minor | 3 | 8A | 172 BPM | ||
Angel in the Rain | Mia Brentano, Benyamin Nuss, Billy Test | B Minor | 0 | 10A | 178 BPM | ||
Canapè-lit | Lee Storpiaty | F Minor | 1 | 4A | 80 BPM | ||
Preludes, Op. 28: No. 15 in G-Sharp Minor, B. 107 (Arr. for Cello Quartet by Leszek Kołodziejski) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto da camera pour piano, instruments à vent et batterie: I. Allegro non troppo | Szymon Laks, Holger Groschopp, Deutsches Symphonie-Orchester Berlin, Johannes Zurl | G Major | 2 | 9B | 98 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM |
Section: 0.5782265663146973
End: 0.5807325839996338