"Der Prozeß, Act I: Nun steht also auch eine Wache vor dem Hause" by Gottfried von Einem, Michael Laurenz, Jochen Schmeckenbecher, Alexander Hüttner, ORF Vienna Radio Symphony Orchestra, H.K. Gruber was released on April 5, 2019. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 18 in Der Prozeß by Gottfried von Einem, Jochen Schmeckenbecher, Ilse Eerens, Anke Vondung, H.K. Gruber. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Der Prozeß, Act I: Nun steht also auch eine Wache vor dem Hause's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Prozeß, Act I: Nun steht also auch eine Wache vor dem Hause by Gottfried von Einem, Michael Laurenz, Jochen Schmeckenbecher, Alexander Hüttner, ORF Vienna Radio Symphony Orchestra, H.K. Gruber is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 2 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Four Scenes of Childhood: IV. Bedtime Story "The Fairy Princess" | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Symphony No. 2 in C minor, Op. 29: II. Allegro | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Der Prozeß, Act II: Und jetzt soll ich für die Bank arbeiten? | Gottfried von Einem, Michael Laurenz, ORF Vienna Radio Symphony Orchestra, H.K. Gruber | D Major | 0 | 10B | 77 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | C Minor | 3 | 5A | 76 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | ||
Concertino carintico per dodici archi, Op. 86: No. 3, Adagio | Gottfried von Einem, Wiener Concert-Verein, Claudio Büchler | F♯ Minor | 0 | 11A | 83 BPM |
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