"Sinfonia Concertata No. 6 for Cello and Strings in C Minor: II. Molto presto" by Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon had its release date on January 1, 1997. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leonardo Leo, Tafelmusik Baroque Orchestra, Jeanne Lamon, Anner Bylsma's "Leo: Six Cello Concertos" album is number 23 out of 25. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Sinfonia Concertata No. 6 for Cello and Strings in C Minor: II. Molto presto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia Concertata No. 6 for Cello and Strings in C Minor: II. Molto presto by Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Cello Sonata in E Minor, Op. 14, No. 5, RV 40: II. Allegro con spirito (Arr. L. Dallapiccola for cello and piano) | Antonio Vivaldi, Martin Rummel, Till Alexander Körber | E Minor | 3 | 9A | 114 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 140 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: II. Allegro | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | C Minor | 1 | 5A | 66 BPM | ||
Overture-Suite in D Major, TWV 55:D1: V. Air 4: Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Gloria in D major, RV 589: Gloria in excelsis Deo (choeur) | Taverner Players, Taverner Choir, Andrew Parrott, Emily Van Evera, Margaret Cable | B Minor | 0 | 10A | 140 BPM | ||
Violin Concerto in A Minor, RV 356: I. Allegro | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM |