Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) - Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Ingrid Attrot, Pamela Helen Stephen, Nigel Robson, Stephen Varcoe, Darius Battiwalla, Leeds Philharmonic Chorus Information

"Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus)" by Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Ingrid Attrot, Pamela Helen Stephen, Nigel Robson, Stephen Varcoe, Darius Battiwalla, Leeds Philharmonic Chorus was released on June 1, 1997. Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Stanford: Stabat Mater, Bible Songs & Te Deum laudamus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) BPM

With Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) by Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Ingrid Attrot, Pamela Helen Stephen, Nigel Robson, Stephen Varcoe, Darius Battiwalla, Leeds Philharmonic Chorus having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stabat Mater, Op. 96: II. Stabat Mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.