"6 Romances, Op. 4 - Transcr. for cello and piano by Rachmaninov: 3. The secret night" by Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell was released on October 11, 2019. The duration of 6 Romances, Op. 4 - Transcr. for cello and piano by Rachmaninov: 3. The secret night is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 6 Romances, Op. 4 - Transcr. for cello and piano by Rachmaninov: 3. The secret night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 20 in Best of Rachmaninoff by Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from France. 6 Romances, Op. 4 - Transcr. for cello and piano by Rachmaninov: 3. The secret night is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Romances, Op. 4 - Transcr. for cello and piano by Rachmaninov: 3. The secret night by Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Songs without Words for Piano, Book 2, op.30: No.6: Venetian Gondolera Song ("Venezianisches Gondellied") | Peter Schmalfuss | C Major | 1 | 8B | 89 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Minuet in E Major, D. 335 | Franz Schubert, Arcadi Volodos | E Major | 0 | 12B | 61 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | E♭ Major | 0 | 5B | 66 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM |
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