Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks's 'Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings)' came out on June 4, 2021. With Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Mendelssohn: Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) and no other songs are present in the album, we classify this track as a single. The popularity of Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) by Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Quartet: Wohlan, alle die ihr durstig seid (Soprano, Alto, Tenor, Bass) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | E♭ Minor | 7 | 2A | 129 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM |
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