"Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VII. Allegro moderato" by Bohuslav Martinů, Michal Kanka, Jaromir Klepac was released on January 1, 2001. With Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VII. Allegro moderato being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 21 in Bohuslav Martinů: Small Pieces for Cello and Piano by Bohuslav Martinů, Michal Kanka, Jaromir Klepac. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VII. Allegro moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VII. Allegro moderato by Bohuslav Martinů, Michal Kanka, Jaromir Klepac is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.4 in A (Italian): Second Movement (Pilgrim's March) | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
The New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
Strings of Heaven | Johannes Brahms, Borika Van Den Booren, Berliner Symphoniker, Eduardo Marturet | F Major | 0 | 7B | 72 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
Lamento | Simone Plé, Alexandre Pascal, Denis Pascal | B♭ Major | 0 | 6B | 132 BPM | ||
Variations on an Original Theme Enigma, Op. 36: III. Variation II - H. D. S. - P. | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | D Major | 3 | 10B | 156 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Serenade für Streicher, Op. 6: I. Andante con moto | Josef Suk, Bavarian Radio Symphony Orchestra, Mariss Jansons | B♭ Major | 1 | 6B | 115 BPM |
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