"Così fan tutte, Act 2, Scene 2: Recitativo: Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo)" by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, Agnes Baltsa, Francisco Araiza was released on August 2, 2013. The duration of Così fan tutte, Act 2, Scene 2: Recitativo: Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo) is about 3 minutes long, at 3:17. Based on our data, "Così fan tutte, Act 2, Scene 2: Recitativo: Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 13 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Così fan tutte, Act 2, Scene 2: Recitativo: Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, Act 2, Scene 2: Recitativo: Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo) by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, Agnes Baltsa, Francisco Araiza to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Der Stein der Weisen, Act I: Recitative. Das wirst du nie - Welch fremde Stimme hörte ich? | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kurt Streit, Paul Austin Kelly | E♭ Major | 1 | 5B | 129 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM |
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