Gideon Klein, Hawthorne String Quartet's 'String Quartet, Op. 2: II. Vivace ma non troppo' came out on January 1, 1991. The duration of String Quartet, Op. 2: II. Vivace ma non troppo is about 3 minutes long, at 3:12. Based on our data, "String Quartet, Op. 2: II. Vivace ma non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hawthorne String Quartet's "Klein & Ullmann: Chamber Music from Theresienstadt" album is number 9 out of 14. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, String Quartet, Op. 2: II. Vivace ma non troppo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet, Op. 2: II. Vivace ma non troppo by Gideon Klein, Hawthorne String Quartet to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
La mort du Nombre | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou, Charles Sy, Vilde Frang | A Major | 2 | 11B | 80 BPM | ||
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM |
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