Johannes Brahms, Camillo Radicke, Marlis Petersen, Christoph Berner, Stella Doufexis, Konrad Jarnot, Werner Güra made "Liebesliederwalzer, Op. 52: XII. Schlosser auf, und mache Schlösser" available on August 28, 2007. With Liebesliederwalzer, Op. 52: XII. Schlosser auf, und mache Schlösser being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 36 in Brahms: Liebesliederwalzer & Neue Liebeslieder by Johannes Brahms, Werner Güra, Marlis Petersen, Konrad Jarnot, Stella Doufexis. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Liebesliederwalzer, Op. 52: XII. Schlosser auf, und mache Schlösser is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Liebesliederwalzer, Op. 52: XII. Schlosser auf, und mache Schlösser by Johannes Brahms, Camillo Radicke, Marlis Petersen, Christoph Berner, Stella Doufexis, Konrad Jarnot, Werner Güra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM |
Section: 0.6742579936981201
End: 0.6777181625366211