"Biegga Njunnjí" by Jan Sandström, Swedish Radio Choir, Per Björsund, Peter Dijkstra was released on August 1, 2012. The duration of Biegga Njunnjí is about 3 minutes long, at 3:28. Based on our data, "Biegga Njunnjí" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Nordic Sounds 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Biegga Njunnjí's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Biegga Njunnjí by Jan Sandström, Swedish Radio Choir, Per Björsund, Peter Dijkstra having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert Pearsall: Lay a garland | Lumen Valo | E♭ Major | 1 | 5B | 124 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
Three Songs, Op. 42: III. Darthulas Grabesgesang | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | B♭ Minor | 1 | 3A | 116 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM |
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