Vincent Persichetti, Illinois State University Wind Symphony, Stephen Steele made "Divertimento for Band: Prologue: Dance" available on March 1, 2011. With Divertimento for Band: Prologue: Dance being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vincent Persichetti: Works for Band by Vincent Persichetti, Illinois State University Wind Symphony, Stephen Steele. The song's track number on the album is #3 out of 14 tracks. Based on our statistics, Divertimento for Band: Prologue: Dance's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Divertimento for Band: Prologue: Dance by Vincent Persichetti, Illinois State University Wind Symphony, Stephen Steele has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Divertimento for Band: Prologue: Dance being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
4 Scottish Dances, Op. 59: No. 2, Vivace | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 0 | 6B | 72 BPM | ||
Soprano Saxophone Concerto: IV. Wood | John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss | F Minor | 0 | 4A | 64 BPM | ||
American Overture for Band | US Army Band and Chorus | F Major | 3 | 7B | 133 BPM | ||
J'ai ete au bal (I Went to the Dance) | Donald Grantham, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 0 | 3A | 126 BPM | ||
Mystic Raga Serenity | Sanseti Sabaru | G Minor | 0 | 6A | 149 BPM | ||
Canzona | Peter Mennin, United States Air Force Band, Lowell Graham | B♭ Major | 3 | 6B | 132 BPM | ||
Horn Concerto in C Minor, Op. 8: II. Andante | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | A♭ Major | 0 | 4B | 80 BPM | ||
Auden Variations, Op. 136: Chorale. Semplice | Vincent Persichetti, Iain Quinn | N/A | N/A | N/A | 0 BPM | ||
A Moorside Suite: III. March. Allegro | Gustav Holst, Grimethorpe Colliery Band, Garry Cutt | F Major | 0 | 7B | 136 BPM |
Section: 0.7905745506286621
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