- BPM
- 102
- Key
- C Major
- Camelot
- 8B
Barber Of Seville: Largo al factotum - Lajos Miller, Hungarian State Opera Orchestra Information
- Acousticness
- 84%
- Danceability
- 41%
- Energy
- 62%
- Instrumentalness
- 24%
- Liveness
- 57%
- Loudness
- 83%
- Speechiness
- 7%
- Valence
- 55%
- Popularity
- 1%
- Loudness
- -10.226 dB
Summary
Lajos Miller, Hungarian State Opera Orchestra made "Barber Of Seville: Largo al factotum" available on March 1, 2014. With this song being about 5 minutes long, at 4:57, "Barber Of Seville: Largo al factotum" by Lajos Miller, Hungarian State Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Magic of the Opera" album is number 32 out of 46. In terms of popularity, Barber Of Seville: Largo al factotum is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Barber Of Seville: Largo al factotum BPM
We consider the tempo marking of Barber Of Seville: Largo al factotum by Lajos Miller, Hungarian State Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Barber Of Seville: Largo al factotum Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | |
 | Mussorgsky: Boris Godunov, Act 4: "Most honorable boyars!" (Shchelkalov) | Modest Mussorgsky, Mstislav Rostropovich, Lajos Miller, National Symphony Orchestra | E♭ Major | 0 | 5B | 85 BPM | |
 | Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | |
 | Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | |
 | Manon Lescaut: Act II, Scene II, "Sei splendida e lucente!..." | Giacomo Puccini, Ilona Tokody, Peter Kelen, Lajos Miller, Rico Saccani | D Major | 2 | 10B | 70 BPM | |
 | Faust (Sung in Hungarian): Act IV: Vege mar a harcnak (Soldiers) | Charles Gounod, Sylvia Sass, Gyorgy Korondy, Kolos Kováts, Lajos Miller, Magda Kalmár, Hungarian Radio and Television Chorus, Honvéd Ensemble Male Choir, Hungarian State Opera Orchestra, Ervin Lukacs | E Major | 1 | 12B | 90 BPM | |
 | Attila: Prologue Scene 4-5: Duet: Tardo per gli anni (Ezio, Attila) | Giuseppe Verdi, Yevgeny Nesterenko, Lajos Miller, Sylvia Sass, Janos Nagy, Gábor Kállay, Kolos Kováts, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli | E♭ Minor | 0 | 2A | 94 BPM | |
 | Maria Stuarda: Act I Scene 2: Si, vuol di Francia il Rege (Elisabetta) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | B♭ Major | 0 | 6B | 90 BPM | |
 | La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | |
 | Die Legende von der heiligen Elisabeth, S2/R477: Part I: Willkommen die Braut! (Chorus, Hermann) | Franz Liszt, Kolos Kováts, Erzsebet Komlossy, Sandor Sòlyom-Nagy, Eva Andor, József Gregor, Lajos Miller, Gyorgy Bordas, Dusan Turinic, Eugenia Kraicirova, Slovak Philharmonic Choir, Bratislava Children's Choir, Slovak Philharmonic, Janos Ferencsik | E Major | 2 | 12B | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.138096570968628
End: 1.1418888568878174