"Rhapsody in Blue" by Seiji Ozawa, Alexis Weissenberg, Karl Leister, Berliner Philharmoniker was released on November 12, 2007. Rhapsody in Blue appears to be safe for all ages as it is not explicit. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #53. Furthermore, we believe that the track originated from United Kingdom. Rhapsody in Blue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody in Blue by Seiji Ozawa, Alexis Weissenberg, Karl Leister, Berliner Philharmoniker having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio - Live | Wolfgang Amadeus Mozart, Momo Kodama, Mito Chamber Orchestra, Seiji Ozawa | F♯ Minor | 0 | 11A | 91 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Carmina Burana: Reie; Swaz hie gat umbe; Chume, chum, geselle min | Carl Orff, Seiji Ozawa, Lorna Cooke de Varon | E Minor | 2 | 9A | 128 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Rapsodie espagnole, M.54: 3. Habanera | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 0 | 3B | 78 BPM | ||
Dolly, Op. 56: 6. Le pas Espagnol | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM |
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