Astor Piazzolla, Yo-Yo Ma, Kathryn Stott made "Tres minutos con la realidad (Three Minutes with Reality)" available on 1997. The duration of Tres minutos con la realidad (Three Minutes with Reality) is about 3 minutes long, at 3:07. Based on our data, "Tres minutos con la realidad (Three Minutes with Reality)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Piazzolla: Soul of the Tango (Remastered)". In this album, this song's track order is #9. Based on our statistics, Tres minutos con la realidad (Three Minutes with Reality)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Tres minutos con la realidad (Three Minutes with Reality) by Astor Piazzolla, Yo-Yo Ma, Kathryn Stott having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caprice Basque, Op. 24 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | A Minor | 2 | 8A | 106 BPM | ||
Ol' Man River | Jerome Kern, . Oscar Hammerstein, Yo-Yo Ma, Kathryn Stott | D♭ Major | 1 | 3B | 134 BPM | ||
Concierto del Sur for Guitar and Orchestra (1941): II. Andante | Manuel Ponce, Alondra de la Parra, Philharmonic Orchestra of the Americas | C Major | 0 | 8B | 113 BPM | ||
Tango en skai | Roland Dyens, Jason Vieaux | A Minor | 1 | 8A | 124 BPM | ||
Boedo | Astor Piazzolla, Octeto Buenos Aires | D Major | 5 | 10B | 123 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Otoño Porteño | Astor Piazzolla | D Major | 3 | 10B | 137 BPM | ||
Suite for Cello & Jazz Piano Trio: IV. Ballade | Claude Bolling, Yo-Yo Ma & The Silk Road Ensemble | F Major | 2 | 7B | 75 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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