Enríquez de Valderrábano, Teresa Berganza, Narciso Yepes made "De dónde venis, amore?" available on January 1, 2005. With De dónde venis, amore? being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, De dónde venis, amore? is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of De dónde venis, amore? by Enríquez de Valderrábano, Teresa Berganza, Narciso Yepes is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Españoleta | Christian Zimmermann | B Major | 1 | 1B | 136 BPM | ||
O mia cieca e dura sorte | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 70 BPM | ||
MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
A Plaine song for 2 Lutes | Thomas Robinson, Ronn McFarlane, William Simms | G Major | 1 | 9B | 117 BPM | ||
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
Spanish Pavan | Thomas Robinson, Joachim Held | F♯ Minor | 1 | 11A | 96 BPM | ||
Der ander Theil des Lautenbuchs: Ich klag den tag (I lament the day) | Hans Neusidler, Ronn McFarlane | F♯ Major | 0 | 2B | 80 BPM | ||
Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II | Johann Sebastian Bach, Alon Sariel | A Minor | 4 | 8A | 81 BPM | ||
Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM |
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