Oldřich František Korte, Shizuka Ishikawa, Jiří Bělohlávek, František Belfín, Film Symphony Orchestra, Czech Philharmonic Orchestra made "Philosophical Dialogues for Violin and Piano, II. Full Stop to an Old Story" available on January 1, 1994. The duration of Philosophical Dialogues for Violin and Piano, II. Full Stop to an Old Story is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Philosophical Dialogues for Violin and Piano, II. Full Stop to an Old Story's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Oldřich František Korte, Jiří Válek, Shizuka Ishikawa, Ivan Moravec, Jiří Bělohlávek, František Belfín, Film Symphony Orchestra, Czech Philharmonic Orchestra's "Korte: Sonata for Piano, Philosophical Dialogues..." album is number 10 out of 16. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Philosophical Dialogues for Violin and Piano, II. Full Stop to an Old Story's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Philosophical Dialogues for Violin and Piano, II. Full Stop to an Old Story by Oldřich František Korte, Shizuka Ishikawa, Jiří Bělohlávek, František Belfín, Film Symphony Orchestra, Czech Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Variations on a Theme by Robert Schumann, Op. 9: Var. 15, Poco Adagio | Johannes Brahms, Vladimir Feltsman | B♭ Minor | 0 | 3A | 68 BPM | ||
Piano Trio in A Minor, M. 67: I. Modéré | Maurice Ravel, Florestan Trio | C Major | 0 | 8B | 84 BPM | ||
25 Preludes, Op. 64: No. 15 in D-Flat Major | César Cui, Jouni Somero | D♭ Major | 0 | 3B | 57 BPM | ||
Song Of A Magnolia | Rahel Senn | B Major | 0 | 1B | 109 BPM | ||
Serenade in A Minor | Imre Széchényi, György Lázár, Istvan Kassai | F Minor | 1 | 4A | 112 BPM | ||
Piano Sonata in D Major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
18の練習曲作品109 第18曲 紡ぎ歌 | Franz Burgmüller, Rintaro Akamatsu | D Major | 1 | 10B | 139 BPM | ||
24 Preludes, Op. 28: No. 18 in F Minor, Allegro molto | Frédéric Chopin, Hsiang Tu | D♭ Major | 0 | 3B | 99 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major. Allegro | Franz Schubert, Cyprien Katsaris | F Minor | 2 | 4A | 132 BPM |
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