"Laudes de sainte Ursule: IV. Antienne (reprise)" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. With Laudes de sainte Ursule: IV. Antienne (reprise) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 4 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: IV. Antienne (reprise) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudes de sainte Ursule: IV. Antienne (reprise) by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anbetung Dem Kreuz: Crucem Tuam | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
6ème dimanche de Pâques: Offertoire: Benedicite gentes | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | B Minor | 1 | 10A | 99 BPM | ||
Graduel: Hec Dies | Thibaut Marlin, Choeur Gregorien De Paris | F♯ Minor | 1 | 11A | 83 BPM | ||
Night Prayer: III. Psalm 90 | The Benedictine Monks of Worth Abbey | G Major | 0 | 9B | 124 BPM | ||
Eulogy to St. Evangelist Luke | Yoan Kukuzel (Angeloglassniyat) | F Minor | 1 | 4A | 71 BPM | ||
In Assumptione | Pro Cantione Antiqua, Mark Brown | E♭ Major | 1 | 5B | 128 BPM | ||
Messe de la toussaint : Graduel anima nostra | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | B Major | 0 | 1B | 65 BPM | ||
O sacrum convivium (Chant) | Dominican House of Studies | D Major | 2 | 10B | 138 BPM | ||
Exaltata Est | Lucien Deiss, CSSp | F♯ Minor | 0 | 11A | 126 BPM | ||
Skaramissalet: Ultimo festivitatis die | Ars Veritas | D♭ Minor | 2 | 12A | 117 BPM |
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