24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013
Frédéric Chopin, Daniil Trifonov
Discover Chopin
0:48 April 30, 2021
BPM
81
Key
G Major
Camelot
9B

Embed

Share Link

24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013 - Frédéric Chopin, Daniil Trifonov Information

Acousticness
96%
Danceability
26%
Energy
5%
Instrumentalness
86%
Liveness
12%
Loudness
41%
Speechiness
4%
Valence
61%
Popularity
Loudness
-35.664 dB

Summary

Frédéric Chopin, Daniil Trifonov made "24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013" available on April 30, 2021. With 24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 175 out of 429 in Discover Chopin by Frédéric Chopin. 24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013 BPM

The tempo marking of 24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013 by Frédéric Chopin, Daniil Trifonov is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

24 Préludes, Op. 28, C. 166-189: 3. Vivace in G Major, C. 168 - Live From Carnegie Hall, New York City / 2013 Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major by Clara Schumann, Jozef De Beenhouwer3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat MajorClara Schumann, Jozef De BeenhouwerB♭ Major06B100 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A91 BPM
Chopin: Berceuse in D-Flat Major, Op. 57 by Frédéric Chopin, Dong Hyek LimChopin: Berceuse in D-Flat Major, Op. 57Frédéric Chopin, Dong Hyek LimD♭ Major03B67 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato by Bedřich Smetana, Jitka Čechová6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. ModeratoBedřich Smetana, Jitka ČechováA Minor08A66 BPM
Rage Over A Lost Penny, Op. 129 by Valentina LisitsaRage Over A Lost Penny, Op. 129Valentina LisitsaG Major29B80 BPM
Serenade in C Major, Op. 48: II. Walzer by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontSerenade in C Major, Op. 48: II. WalzerPyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontG Major29B180 BPM
5 Pieces, Op. 75, 5 Pieces, Op. 75, "The Trees": No. 3 AspenJean Sibelius, Håvard GimseA♭ Minor01A0 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
Ständchen (From Schwanengesang, D957) by Franz Liszt, Evgeny KissinStändchen (From Schwanengesang, D957)Franz Liszt, Evgeny KissinD Major010B68 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 by Janos Sebestyen, Johann Sebastian BachPrelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924Janos Sebestyen, Johann Sebastian BachC Major28B139 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8066494464874268

End: 0.8104338645935059