The Qemists, Mike Patton made "Lost Weekend - Killer On The Dancefloor" available on October 13, 2008. The duration of Lost Weekend - Killer On The Dancefloorby The Qemists, Mike Patton is quite longer than the average track at 5 minutes and 11 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in The Qemists's "Lost Weekend" album is number 4 out of 5. Based on our statistics, Lost Weekend - Killer On The Dancefloor's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Lost Weekend - Killer On The Dancefloor by The Qemists, Mike Patton to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jungle | The Qemists, Hacktivist | B♭ Minor | 10 | 3A | 174 BPM | ||
In Motion | Apex | D♭ Major | 10 | 3B | 172 BPM | ||
The Agony & The Ecstasy (feat. Selah Corbin) | High Contrast, Selah Corbin | A Minor | 9 | 8A | 173 BPM | ||
Into The Light | Lynx | B♭ Minor | 9 | 3A | 173 BPM | ||
Colours | Maduk, Diamond Eyes | G Minor | 9 | 6A | 175 BPM | ||
Deep Space | Eoin O' Broin | F♯ Major | 9 | 2B | 170 BPM | ||
Beside Still Waters | The Luna Sequence | D♭ Major | 10 | 3B | 180 BPM | ||
The Future's What It Used To Be | Apollo 440 | F♯ Minor | 9 | 11A | 167 BPM | ||
Clap Track | Lynx | D♭ Major | 8 | 3B | 82 BPM | ||
Dead On Arrival | Evol Intent | D♭ Major | 9 | 3B | 174 BPM |
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