Arkadia Short Cuts, Joanne Brackeen, Ravi Coltrane, Ira Coleman, Horacio El Negro Hernandez made "Blue Bossa - Short Cut - sax & piano trades" available on February 23, 2024. The duration of Blue Bossa - Short Cut - sax & piano trades is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Blue Bossa - Short Cut - sax & piano trades's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Short Cuts (Live in NYC) [Saturday - Live at the Jazz Standard]". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, Blue Bossa - Short Cut - sax & piano trades is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Blue Bossa - Short Cut - sax & piano trades by Arkadia Short Cuts, Joanne Brackeen, Ravi Coltrane, Ira Coleman, Horacio El Negro Hernandez having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Interludio para Dutilleux | Luismi Segurado Trio, Santi Colomer, Jim Monneau, Luismi Segurado | A♭ Major | 1 | 4B | 110 BPM | ||
Willow Weep For Me - Short Cut - trumpets' solo | Pete Candoli, Conte Candoli, Arkadia Short Cuts, Joe Diorio, Ross Tompkins | C Major | 5 | 8B | 82 BPM | ||
A Purpose | Melissa Aldana | F♯ Minor | 3 | 11A | 122 BPM | ||
Broken Landscape | Andy Milne | D Major | 1 | 10B | 129 BPM | ||
Spirit: Waving Flags in the Mist | Mathias Landaeus, Tim Hagans, Karl-Martin Almqvist, Cornelia Nilsson, Johnny Åman, Landæus Trio | C Minor | 1 | 5A | 94 BPM | ||
Black Swan - Short Cut - theme | Arkadia Short Cuts, Joanne Brackeen, Ravi Coltrane, Ira Coleman, Horacio El Negro Hernandez | G Major | 2 | 9B | 115 BPM | ||
Homage - Short Cut - Gary Bartz sax solo | Alan Pasqua, Gary Bartz, Arkadia Short Cuts, Dave Holland, Paul Motian | C Major | 1 | 8B | 79 BPM | ||
Naima - Short Cut - end theme | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 176 BPM | ||
Coming on the Hudson | Joe Locascio | B♭ Minor | 0 | 3A | 71 BPM | ||
Iboja's Theme | Nikolaj Hess, Anders Christensen, Mikkel Hess | B Major | 1 | 1B | 175 BPM |
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