Ritesh Pandey, Priyanka Singh made "Raja Toote Badaniya Aise Jaise Phute Makai Ke Lawa" available on June 2, 2017. The duration of Raja Toote Badaniya Aise Jaise Phute Makai Ke Lawa is about 3 minutes long, at 3:17. Based on our data, "Raja Toote Badaniya Aise Jaise Phute Makai Ke Lawa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Sasural (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Raja Toote Badaniya Aise Jaise Phute Makai Ke Lawa's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Raja Toote Badaniya Aise Jaise Phute Makai Ke Lawa by Ritesh Pandey, Priyanka Singh having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iaarwa Oath Chatna Ba | Banti Malhotra, Nisha Gupta | B♭ Minor | 7 | 3A | 125 BPM | ||
Ja Ae Chanda Le Aawa Khawariya | Ritesh Pandey | B Minor | 9 | 10A | 172 BPM | ||
Tohara Se Milte Milte - From "Roop Mere Pyar Ka" | Vijay Chauhan, Krishna Bedardi, Priyanka Singh | F Major | 9 | 7B | 115 BPM | ||
Pagal Ho Jaibo Ge | Khushbu Tiwari KT, Shiv Kumar Bikku | E Minor | 10 | 9A | 130 BPM | ||
Jaawaniya Bhail Udanbaaz - From "Lallu Ki Laila" | Mohan Rathore, Priyanka Singh, Madhukar Anand | A♭ Major | 10 | 4B | 117 BPM | ||
Holiya Me Rovata Iyaar Aye Sakhi | Goluwa Jagawa | B Major | 9 | 1B | 130 BPM | ||
Rakhle Ba Nachaniya | Tuntun Yadav, Neha Raj | D Major | 10 | 10B | 126 BPM | ||
Pagal K Ke Gaile Re | Ritesh Pandey, Vicky Vox | C Major | 9 | 8B | 130 BPM | ||
Dhodhi Namkin Khani Lage | Bullet Raja | B Minor | 9 | 10A | 132 BPM | ||
Ka Kare Ara Jalu | Nandini Tiwari, Lal Babu | B Major | 9 | 1B | 126 BPM |
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