"Quintette: II. Anime" by Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet had its release date on March 1, 2013. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 12 out of 14 in Cras: Flute, harpe et cordes by Jean Cras, Philippe Graffin. Quintette: II. Anime is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quintette: II. Anime by Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade (arr. for cello and guitar) | Anonymous , Gaspar Cassadó, Claremont Duo | B♭ Major | 1 | 6B | 74 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Five Negro Melodies for Piano Trio: II. I was way down a-yonder | Samuel Coleridge-Taylor, Neave Trio | B♭ Major | 1 | 6B | 68 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Polypheme: Act II Tableau 3: Scene 1: J'ai du garder la ferne, ou le travail est rude (Galatee, Acis) | Jean Cras, Armand Arapian, Sophie Marin-Degor, Yann Beuron, Valerie Debize, Remi Corbier, Laure Baert, Ile de France Vittoria Regional Choir, Luxembourg Philharmonic Orchestra, Bramwell Tovey | F Major | 1 | 7B | 61 BPM | ||
Quintette for Harp, Flute, Violin, Viola & Cello III. Assez Lent | Jean Cras, Rachel Talitman, Marcos Fregnani-Martins, Erez Ofer, Pierre Henri Xuereb, Hee Yong Lim | D♭ Major | 1 | 3B | 51 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (arr. for piano trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | C Major | 1 | 8B | 97 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
4 Little Dream Songs: Winter: Lullaby | Takashi Yoshimatsu, 宮田 大, ジュリアン・ジェルネ | E Major | 0 | 12B | 73 BPM |