Paxton Ingram's 'It’s All Coming Back To Me Now - The Voice Performance' came out on October 14, 2016. The duration of It’s All Coming Back To Me Now - The Voice Performance is about 3 minutes long, at 3:17. Based on our data, "It’s All Coming Back To Me Now - The Voice Performance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in It’s All Coming Back To Me Now (The Voice Performance) and no other songs are present in the album, we classify this track as a single. The popularity of It’s All Coming Back To Me Now - The Voice Performance is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of It’s All Coming Back To Me Now - The Voice Performance by Paxton Ingram to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When I'm with You | Jennifer Love Hewitt | A♭ Major | 3 | 4B | 106 BPM | ||
Radioactive - The Voice Performance | Janice Freeman | A Major | 8 | 11B | 137 BPM | ||
Yesterday | Marlisa | C Major | 3 | 8B | 71 BPM | ||
I Was Here - The Voice Australia 2019 Performance / Live | Natasha Stuart | E Minor | 4 | 9A | 110 BPM | ||
Pillowtalk - The Voice Performance | Bryan Bautista | B♭ Major | 7 | 6B | 125 BPM | ||
Perfect / Can't Help Falling in Love | Btwn Us | A♭ Major | 5 | 4B | 95 BPM | ||
Minefields - From "Good Trouble" | Emma Hunton, Josh Pence | F Major | 6 | 7B | 153 BPM | ||
Rise Up - The Voice Performance | Kelsea Johnson | C Major | 4 | 8B | 118 BPM | ||
Hurt - The Voice Performance | Bryan Bautista | D♭ Minor | 5 | 12A | 73 BPM | ||
Vienna - The Voice Performance | Andrew DeMuro | B♭ Major | 6 | 6B | 128 BPM |
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