Manuel de Falla, José Carreras, Martin Katz's '7 Canciones populares españolas: No.3: Asturiana' came out on January 1, 1985. The duration of 7 Canciones populares españolas: No.3: Asturiana is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 7 Canciones populares españolas: No.3: Asturiana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Canciones españolas by José Carreras, Martin Katz. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, 7 Canciones populares españolas: No.3: Asturiana's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Canciones populares españolas: No.3: Asturiana by Manuel de Falla, José Carreras, Martin Katz is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Danse Sacrée et Danse Profane, L. 103: II. Danse Profane | Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop | A Major | 0 | 11B | 73 BPM | ||
Danza De La Vida Breve | Benita Meshulam, Peter Arts, Manuel de Falla | D Minor | 1 | 7A | 107 BPM | ||
Valses poeticos: No. 6. Sentimental Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
El amor brujo, Scene I (1915 Version): No. 2, Canción del amor dolido | Manuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez | C Major | 2 | 8B | 159 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |
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