Carl Michael Bellman, Torsten Mossberg, Jonas Isaksson, Andreas Nyberg's 'Fredman’s Epistle No. 30: Drick ur ditt glas, se döden på dig väntar [Drain off thy glass! See death upon thee waiting]' came out on May 1, 2020. With this song being about 5 minutes long, at 5:24, "Fredman’s Epistle No. 30: Drick ur ditt glas, se döden på dig väntar [Drain off thy glass! See death upon thee waiting]" by Carl Michael Bellman, Torsten Mossberg, Jonas Isaksson, Andreas Nyberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 21 in Bellman: Am I Born, Then I'll Be Living by Carl Michael Bellman, Torsten Mossberg, Jonas Isaksson. Fredman’s Epistle No. 30: Drick ur ditt glas, se döden på dig väntar [Drain off thy glass! See death upon thee waiting] is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fredman’s Epistle No. 30: Drick ur ditt glas, se döden på dig väntar [Drain off thy glass! See death upon thee waiting] by Carl Michael Bellman, Torsten Mossberg, Jonas Isaksson, Andreas Nyberg is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Limu limu lima/Lille Lasse | Kraja | E♭ Minor | 0 | 2A | 139 BPM | ||
Ett folk, Op. 22: Sverige | Wilhelm Stenhammar, Göteborgs Gosskör, Fredrik Sixten | B Major | 0 | 1B | 69 BPM | ||
Far och son | Swedish Radio Symphony Orchestra | C Minor | 1 | 5A | 152 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Du lilla barn | Georg Riedel, Eva Dahlgren, Claes Janson, Mats Bergström, Goran Klinghagen, Anders Jormin, Gunnar Wennberg, Urban Agnas, Olle Holmquist, Lennart Nord, Lars Jansson, Stefan Nilsson, Andre Ferrari, Anders Kjellberg, Nacka Music Class, Sophisticated Ladies | C Major | 2 | 8B | 172 BPM | ||
Rachmaninov: Vespers, Op. 37: II. Blagoslovi, dushe moya | Sergei Rachmaninoff, Swedish Radio Choir, Malena Emman, Tõnu Kaljuste | C Major | 0 | 8B | 71 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
Den sista jäntan | Monica Zetterlund | B♭ Minor | 3 | 3A | 85 BPM | ||
Tomtebloss | Cornelis Vreeswijk | A♭ Major | 1 | 4B | 105 BPM | ||
Waltz No. 5 in A-Flat Major, Op. 42 | Frédéric Chopin, Elfrun Gabriel | F♯ Major | 0 | 2B | 171 BPM |
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